
In a world overflowing with cookie-cutter pop and surface-level storytelling, Royal Fools arrive like a jolt of electric honesty. The talented identical twin duo—raised in the grit of Boston but sharpened in the glitz of Los Angeles—bring a unique blend of East Coast candor and West Coast swagger to the pop-rock landscape. With the release of their debut EP PROM, Royal Fools have not only delivered an emotionally charged and musically compelling project, but also a bold artistic statement wrapped in a gripping short film.
The five-track EP PROM is more than just an introduction to Royal Fools—it’s the first chapter of a conceptual journey that’s as heartfelt as it is rebellious. Pairing intricate instrumentation with raspy, vulnerable vocals, Royal Fools carve out a sound that’s as much about expression as it is about craftsmanship. Whether it’s the punchy guitars or the layered harmonies, every sonic detail feels intentional—each track, a page in a coming-of-age story.
The EP is accompanied by a visually striking short film that sets the tone for the narrative arc of the project. Written, directed, and produced by August Suchecki, the video follows two high school outcasts—identical twins—who flee their prom after a violent encounter with a homophobic bully. What begins as a reckless escape soon spirals into a night of emotional unraveling, rebellion, and reckoning. With stellar performances by August and Greyson Suchecki alongside Javeon Shannon, and hauntingly atmospheric cinematography by Loren Blazek, the film becomes a perfect visual counterpart to the EP’s themes of identity, trauma, and resistance.

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The opener, “Don’t Call,” sets the tone with gritty guitar riffs and a rhythmic, groove-heavy bassline that lays a foundation for a vocal delivery that’s stripped-down but emotionally loaded. The energy surges in the chorus as doubled vocals create a thick wall of harmony, building tension before releasing it in a powerful finale. With “Pretender,” the band explores a more melodic approach. Its polished verses and anthemic choruses showcase Royal Fools’ ability to shift gears without losing their edge. A funky and unexpected bass solo adds texture, giving the track a refreshing twist that keeps listeners engaged.
“I-95” slows things down without losing any emotional weight. Birdsong, subtle acoustic elements, and a restrained, echoing arrangement give the track a cinematic quality that evokes long drives, heartbreak, and introspection. It’s a standout moment in the EP’s arc—intimate, aching, and beautifully constructed. As the EP moves toward its conclusion, “Bats in the Attic” and “Madaket” deliver knockout punches of their own. “Bats in the Attic” swells with dynamic intensity, while “Madaket” closes the EP with a mix of poignant lyricism and explosive instrumentation, a track that leaves you breathless and wanting more. These final songs are proof of the duo’s ability to balance melody and chaos, turning vulnerability into strength.

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The synergy between the EP and the film is what elevates PROM from a strong debut to a landmark artistic project. Together, they paint a vivid picture of youthful alienation, identity struggles, and the need for connection in a world that often misunderstands differences. By anchoring their sound and story in deeply personal experiences, Royal Fools forge a musical identity that feels simultaneously universal and one-of-a-kind.

If PROM is just the beginning, then Royal Fools are a band you’ll want to follow closely. Their fearless creativity, authentic voice, and impressive multi-disciplinary approach mark them as one of the most exciting new acts in indie pop-rock today. From Boston’s raw edge to LA’s cinematic lights, they’re crafting a new kind of sound—and they’re doing it on their own terms. PROM is here—and Royal Fools are only getting started.
Check the links below, discover more about Royal Fools and their music, and remember to add their songs to your favorite playlists!