"64 Magic Queens": A Sonic Journey Through Love and Resilience.
Sarah Burton, a nomadic troubadour with a heart full of stories, returns with her latest musical offering, “64 Magic Queens.” This album is a testament to her versatile songwriting and boundless talent, showcasing a captivating mix of genres that traverse the emotional spectrum. Originally hailing from Toronto but finding her artistic haven in Austin, Texas, Burton’s journey is one steeped in serendipity and an unquenchable thirst for connection.
Her career ignited with a broken heart and a rickety van named Lucky, propelling her on a cross-Canada odyssey. From these humble beginnings, she embarked on a musical odyssey that has seen her release five albums, crisscross North America, and grace renowned festivals and conferences.
“Give Me What I Want,” her 2019 release, was a sonic tapestry that defied genre boundaries, blending Americana, folk, rock, and country. The album, recorded at Jim Eno’s Public Hi-Fi studio, bore witness to Burton’s penchant for storytelling, chronicling modern tales of love, lust, and the ceaseless quest for fulfillment. It was a raw, unfiltered piece of artistry that left an indelible mark. Following this, Burton’s creative spirit refused to be contained. In 2020 and 2021, she released singles “LOGAN” and “I’m on Fire,” each a testament to her dynamism as a songwriter and performer. But it was during the pandemic-induced hiatus that she penned a plethora of new material, giving birth to “I Hate Goodbyes,” the precursor to “64 Magic Queens.”
“I Hate Goodbyes” is an enchanting ode to the optimism that love can instill, even in the face of geographical separation. The subsequent album delves deep into the complexities of long-distance relationships. Recorded in Sudbury, Ontario, amidst a Canadian winter lockdown, the album marks an important milestone in Burton’s musical journey.
Produced by power-pop-rocker Dany Laj, “64 Magic Queens” presents an eclectic soundscape. Burton’s songwriting meanders from classic ’90s pop-rock to contemporary indie rock, with subtle nods to the ’60s, all tinged with a touch of the surreal. Influences as diverse as Rilo Kiley, Weezer, Harry Nilsson, and Concrete Blonde converge in an unfiltered musical journey. Accompanied by the melodic bass lines of Jeannette Dowling and the rhythmic expertise of Dusty Campbell, Burton’s vocals find a perfect complement in Dany Laj’s guitar work. The album captures a duality, seamlessly oscillating between glossy and gritty, much like the artist herself.
Standout tracks like the heart-rending “I Hate Goodbyes,” the ethereal “Ursa Minor,” the poignant “Love Is Not Enough,” and the introspective closer “Today Is Gonna Be the Day” reveal the breadth of Burton’s songwriting prowess. With “64 Magic Queens,” Sarah Burton invites us on an unfiltered voyage through her psyche, navigating love and hope even in the darkest moments.
In an era of musical conformity, Burton’s ability to transcend boundaries and craft authentic narratives is a breath of fresh air. “64 Magic Queens” is not just an album but a testament to Burton’s enduring commitment to her craft and her unwavering belief in the power of music to connect and heal. As listeners dive into this sonic journey, they’ll discover that Sarah Burton’s “64 Magic Queens” is more than an album; it’s an intimate glimpse into the resilience of the human spirit, set to a soundtrack that’s as diverse and unpredictable as life itself.
Check the links below, discover more about Sarah Burton and her music, and remember to add her tracks to your favorite playlists!